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20 Result(s)

www.3mills.com
Three Mill Lane
London
E3 3DU
020 8215 3330

Situated in Bromley-by-Bow, 3 Mills Studios is an iconic production destination in the heart of London ‘s most vibrant creative community.

3 Mills’ inspiring and versatile studio space has hosted many film, TV and stage productions including recently Legend (Working Title Films), Mr Holmes (See-Saw Films/BBC Films), Jekyll & Hyde (ITV) and The Royals (Lionsgate US) and the award-winning Cameron Mackintosh musical Miss Saigon. It has inspired some of the most successful independent filmmakers including Danny Boyle, Joe Cornish and Terence Davies, and countless television commercials and music videos have been filmed on site. Located just seven miles from Soho, four miles from the historic City of London, next to the London 2012 Olympic Park and within easy reach of rural locations in the South and South East, it is the ideal base for any production.

3 Mills Studios offers 9 filming stages (over 75,000 sq.ft of filming space) and 11 theatre rehearsal spaces as well as production offices, construction and prop stores, make up, costume and green rooms and a mix of production related tenants such as catering, camera hire and casting. Whatever you are looking to shoot, produce or rehearse 3 Mills has the facilities to fit the bill and help you create outstanding results. Take a look at the 3 Mills reel

Facilities: 9 stages (totalling almost 75,000 sq. ft.), 11 rehearsal spaces, 170 + production offices, Prop stores, Workshops, Make up & dressing rooms, Green rooms, Costume facilities, 62 seat screening room, Period buildings, exterior & location opportunities, Riverside cafe & bar, 24 hour security & CCTV, Parking, Excellent transport links.

Feature credits include: Isle of Dogs, Legend, Mr Holmes, The Inbetweeners 2, The Inbetweeners, Attack the Block, Berberian Sound Studio, Brick Lane, Eastern Promises, Fantastic Mr Fox, Frankenweenie, How To Lose Friends And Alienate People, iLL Manors, Made in Dagenham, Never Let Me Go, Rocknrolla, Sunshine, Trance.

TV credits include: Year of the Rabbit, The Royals, Jekyll & Hyde, Drifters, Masterchef, The Enfield Haunting, My Mat Fat Diary, The Midnight Beast, Mr Stink, Stand up to Cancer.

3 Mills also attract a wide range of clients from advertising and music: Nike, Adidas, EE, H&M, Mazda, Honda, Rimmel, Vice, Vodafone, Waitrose, Nissan, Nokia.

Primary Activity: Studio Facilities

www.aquariumstudios.co.uk
122 Wardour Street
London
W1F 0TX
020 7734 1611

Operating from their base in the heart of Soho, London, Aquarium Studios have offered post production services to the UK TV Drama, Feature film and Video games industries since 1997. 

To complement their triple-BAFTA-winning audio team, Aquarium are pleased to offer an in-house partnership with Dirty Looks, and now offer Baselight colour grading and online editing all withing their Wardour Street premises. With studios in Belgium and Ireland, Aquarium are ideally placed to provide post services on European co-productions.

Facilities include Voice Booths with source connect, Stereo, 5.1 Mixing Theatres, Foley recording, ADR stages, an ensemble recording space for up to 7 actors, as well as a number of bright and airy cutting rooms available for hire. Aquarium has Studios to suit all budgets and all project types, from Feature Films to Corporates, TV Drama to Computer Games.

Aquarium have been responsible for Audio Post on numerous film and drama projects including; Disobedience, Merlin, Whitechapel (S3), Ripper Street (S1), Atlantis.

With Three BAFTA’s and seven nominations, Aquarium is one of Soho’s most accomplished specialist audio post-production companies, who represent a wide range of Audio Talent including Mixers, ADR Recordists, & Sound Editors. This allows them to match the perfect individual or team to your project, ensuring you get specialists at every level.

Primary Activity: Audio Post Production

www.wildtrackers.com
Lyndhurst West Dirleton Road
North Berwick
EH39 5DF
01620 892189

Barbour All Terrain Tracking Ltd specialises in on and off road camera tracking, 4×4 expedition consultancy and management, 4×4 driving and driver training from City & Guilds Certificate of Competence level training to advanced off road driving techniques and event management and implementation.

Credits/Clients include: BBC, Top Gear, Shetland, Game of Thrones, Fury (2014), The Mummy Returns (2001), The Mummy (1999), Sleepy Hollow (1999), The English Patient (1996), Goldeneye (1995), Braveheart (1995), Jeep, Mercedes, Lexus

Primary Activity: Production Services

www.blue-bolt.com
15-16 Margaret Street
London
W1W 8RW
0207 637 5575

Founded privately in 2009, BlueBolt is an award-winning independent visual effects company based in central London.

BlueBolt provides high-end CGI to the global film and television industry, specialising in compositing, computer graphics and digital matte painting for film and television productions.

Bluebolt’s  team has extensive experience on productions of all scales, priding themselves on delivering the very best quality and service from concept and pre-production, through shoot supervision to final delivery.

Some of BlueBolt’s credits include: Season One of Game of Thrones, The Little Drummer Girl, Skyfall, The Night Manager, Peaky Blinders and Mission Impossible – Fallout, winning BAFTA, AEAF and VES awards and two Emmy Nominations.

 

Primary Activity: VFX

cinelab.co.uk
714- 716 Banbury Avenue
Slough
SL1 4LR
01753501500

Located conveniently close to Heathrow airport and within easy travelling distance from central London, Cinelab London opened its doors in 2013. 

As one of the most comprehensive Film Facilities in the UK, and Europe ‘s premier full-service Film Facility, Cinelab providing processing, DI, on-location services, scanning, digital dailies, telecine, grading and all digital/film deliverables. They are the only Film Laboratory in the world processing and scanning all film formats – Super 8mm, 16mm, 35mm and 65mm.

Cinelab’s team of industry professionals have the knowledge and expertise to make clients’ projects as simple and straight forward as possible, well equipped to provide a team whether for major studios and first-time filmmakers.

Cinelab are currently developing remastering, restoration, metadata, asset management, content prep and QC solutions that can leverage lower cost operations in Europe and provide a cost-effective solution for clients whether they are content owners or creators. Although there has been a significant shift to digital acquisition, there remains a demand for film and Cinelab are committed to providing services whilst this demand remains.

Cinelab’s 20 seat theatre is available for viewing both digital and 35mm outputs, as well as Digital Intermediate grades and DCP review.

Film related services include: neg dev, printing, pos dev, b&w and sound negs, scanning and recording.

Primary Activity: Film Laboratory

www.cinestore.co.uk
126 Cornwall St S
Glasgow
G41 1AF
0141 447 1190

Founded in early 2017, CineStore is a business passionate about providing a great service and supplying great products. Having heard feedback from people in the UK screen industry our aim is to form closer relationships between crew on set and us the consumable suppliers. CineStore provides the products that crew can rely on, as well as introducing them to new and innovative products.

CineStores owner, Liam, has 15 years’ experience working in the screen industry. He also spent time working in the corporate IT world helping customers of all shapes and sizes accomplish their goals
through the use of innovative technology. Using this experience he understands that not all products give you the performance and reliability that you need on set, when time is scarce and effectiveness is priority. Sometimes ‘making do’ is just not the answer!

We understand that when it’s raining and you’re up a hill and under pressure, you need products that you can trust!

Our goal is to have a close relationship with crews on set. We welcome any suggestions for new products.

CineStore carries a large catalogue of consumables including, Clapperboards, Adhesive tapes, Cleaning products, Wet weather protection, stationery, sound dept consumables and lots more. As we grow, so does our catalogue.

No consumables list is too large for us, and we have successfully supplied productions of all sizes.

Credits/Clients include: Outlander, Shetland, Trust Me 2, Detective Pokemon, Outlaw King, Ordeal By Innocence, The Cry, The Victim, Armchair Detectives, Sopranos, Cobra.

Primary Activity: Production Services

Other Activities: , Production Services

www.company3.com
Film House 142 Wardour Street
London
W1F 8DD
020 7878 7888

Founded in 1997, Company 3 is a comprehensive post-production facility for features, commercials and music videos.

Known for its creative colour artistry, pioneering technology and global reach, Company 3 is trusted to deliver a quality product every time. It is home to one of the largest and most talented pools of colourists and visual effects artists working in post-production today with a client list that includes many of the most respected and talented film and entertainment professionals in the industry.

Company 3 offers solutions-based services ranging from colour correction, Digital Intermediate (DI) and file-based workflows to visual effects and online services. Through its virtual outposts, Company 3 Colourists are available to clients around the world.

Specialities include: Colour grading, Digital intermediate, On-set services, Visual effects, and Beauty.

Primary Activity: Post Production

Other Activities: Digital Intermediate

www.dneg.com
160 Great Portland Street
London
W1W 5QA
020 7268 5000

Double Negative (DNEG) is one of the world’s leading visual effects, animation and stereo conversion companies for feature film and television, with studios in London, Vancouver, Mumbai, Los Angeles, Chennai, Montréal, Chandigarh, Hyderabad and Goa.

Since DNEG’s first studio opened in London in 1998, they have always thrived on collaboration and the creative energy this provides, dedicated to delivering excellence on every project. DNEG brought home the Oscar for “Best VFX” for three out of the last four years. In total, DNEG has been honoured with 4 Academy Award wins, 4 BAFTA Awards and 8 Visual Effects Society Awards for their visual effects work on “Blade Runner 2049”,”Dunkirk”, “Ex Machina”, ”Interstellar”, ”Inception” and “Harry Potter and The Deathly Hallows Part 2”.

DNEG craft spectacular visuals for some of the world’s biggest films. Recent work includes Pacific Rim Uprising, Annihilation, Black Panther, Justice League, Thor: Ragnarok, Blade Runner 2049, Dunkirk, Baby Driver and Wonder Woman. Their Feature Animation division collaborates with filmmakers and IP owners to create high-end animated feature films.

DNEG’s TV VFX division tailors our experience, skills and pipeline for the specific needs of high-end television programming. Recent TV projects include Altered Carbon, Black Mirror Season 4, Marvel ‘s Inhumans, Krypton, Strike – The Silkworm and BrainDead.

DNEG’s industry-leading stereo conversion team has delivered some of Hollywood ‘s biggest theatrical 3D experiences, including Pacific Rim Uprising, Beauty and the Beast, Transformers: The Last Knight, Kong: Skull Island and Gravity.

Primary Activity: VFX

Other Activities: VFX

www.elstreestudios.co.uk
Shenley Road
Borehamwood
WD6 1JG
0208 953 1600

Elstree Studios, an independent production facility first established in 1926, is extremely well located close to Central London, the motorway network, international and local airports, providing seven stages encompassing over 60,000 sq ft, the George Lucas, comprising the two largest at 15,770 sq ft each.

Elstree Studios have hosted countless film productions. In recent years credits have extended to The King ‘s Speech, The World ‘s End, World War Z, Paddington, Sherlock Holmes: A Game Of Shadows and Man Up. Historically Elstree provided a back-drop for Indiana Jones, Star Wars, The Shining, The Railway Children, Moby Dick, Dam Busters, Hitchhikers Guide to the Galaxy, Superman and Labyrinth to name but a few.

18 minutes by rail to central London’s St Pancreas International, with Eurotunnel links directly into Paris and Europe thereafter, Elstree benefits from close proximity and easy access to hotels, restaurants, shops and taxi services.

With ample parking, Elstree provide all year round 24/7 manned security, together with a comprehensive CCTV camera network, specifically designed to give you total peace of mind during your stay.  The Stages are utilised for commercial and promo work alike and have proven ideal for tour rehearsals; clients including One Direction, Robbie Williams, Kylie, Take That, Madonna, and many other artists.

Fortunate to benefit from relationships with ITV, the BBC and other broadcasters Elstree continue to provide homes for The Chase, Pointless, The Voice, Strictly Come Dancing and Big Brother.

All the supporting ancillary accommodation and full in-house catering service providing high quality food available at competitive prices. Nothing is imposed upon you at Elstree, the clients selecting the facilities, the Studio ensuring the production runs smoothly. Should you require any assistance the management team are always there to help.

Primary Activity: Studio Facilities

encorepost.com
Film House 142 Wardour Street
London
W1F 8DD
020 7878 0000

Based in the heart of Soho Central London, Encore are a leading provider of Post-production Services in the UK.

Encore offer the full range of sound and picture post production services under one roof including offline. Working across all genres of TV, Encore’s highly skilled teams help create and deliver world class content to the global marketplace. Their talented creatives combine technical expertise with innovation to provide the highest quality support to your production.

Encore also provide a full deliverables service including transcoding and conversions, QC and localization services, as well as a roster of experienced project managers who co-ordinate and manage every aspect of clients’ post production needs. Whether working with content owners and distributors program makers or some of the world’s most prestigious archives,  Encore’s talented team output world class content of all shapes and sizes across multiple platforms and on a global scale.

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Online Editing, Post Production

fiftyfiftypost.com
24 D'Arblay Street
London
W1F 8EH
0207 2920920

Fifty Fifty are a full-service, independently owned post and production house based in the heart of London ‘s Soho.

Fifty Fifty specialise in broadcast, commercials and content. Our focus on personal client partnerships helps us to deliver the very best creative and technical solutions for every job. By getting to know every client we understand their needs and how they like to work which helps us to devise bespoke workflows to produce the most creative content for honest budgets across all media platforms.

Fifty Fifty are commissioned by production companies, brands and agencies big and small to handle projects from concept to delivery, ardent investors in talent who put technical excellence on the front line to provide sage advice directly to clients to maximise efficiency creativity and cost.

Clients include: ITV, Havas Worldwide, BBC, Saatchi & Saatchi, Freedman International, BBC Three, Oglivy, Channel 4, Royal Opoera House, National Geographic Channel, +more.

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Offline Editing, Online Editing, Post Production

www.filmcityglasgow.com
401 Govan Road
Glasgow
G51 2QJ
0141 445 7243

After a three phase, £3.5 million redevelopment and occupation of the beautiful, beaux arts Govan Town Hall, Film City Glasgow has firmly established itself as the heart and soul of Scotland’s film and television industry.

The facility comprises of over 12 000 sq. ft. of production office space, a 5   000 sq. ft. studio/build space, workshop areas, rehearsal/meeting rooms, cafe, and 10,000 sq. ft. of creative business offices, now home to over 25 permanent tenants from the screen and wider creative industries. Current tenants include those from such disciplines as film production, animation, casting, design, and music, and a broad portfolio of high profile TV companies, including Keo North (Welcome to Lagos, River Cottage), Finestripe Productions (Shrink Rap, The Week We Went to War), Crocodile Media (Dispatches, Watching the Dead), and Objective Productions (Peep Show, Derren Brown).

Post-production facilities within the premises are managed by leading Scottish companies Serious Facilities (picture post) and Savalas (sound post), and include fully equipped high-def edit and grading suites, a Foley studio, project sound suites, and Scotland’s first Dolby Premier Studio.

Film City Glasgow has become the de facto production base for feature film work in Scotland, including Sigma Films Red Road and Perfect Sense, Black Camel Productions Legacy, Ecosse Films Decoy Bride, and Peter Mullan’s Neds. TV production work has included IWC Media for Channel 4 Iron Chef, Red Productions Single Father, Silver River One Night in Emergency, and the BBC with prime-time comedies Mrs Brown’s Boys, Old Guys, and Life of Riley. 100% owned and run by Film City Glasgow Ltd, it offers low cost, flexible short-term space hire, adaptable to every project and budget, and for those interested in permanent occupation, provides a fully serviced office solution, in a dynamic and synergistic environment for creative/media cross-fertilisation.

Primary Activity: Studio Facilities

grantmasonfx.com
8-10 Balcarres Avenue
Glasgow
G12 0QF
0141 357 3757

Grant Mason FX is a special effects company based in Scotland that has been making a unique contribution to the creative industries (theatre, film, television and media) for over twenty years.

During this period, founder Grant and his talented crew have worked on numerous projects of different sizes and scales including the cult films Trainspotting and Shallow Grave. Grant has specialist areas of expertise in mould-making, three-dimensional sculpture, life- casting, prosthetics, design and construction of masks and puppets and associated props and body suits.

Amongst his creations are silicone bodies such as Self-Portrait as a Drowned Man (The Willows) for artist Jeremy Millar and the puppets from the celebrated UK/Polish OSCAR winning animated film Peter and The Wolf. Film and television credits aside, Grant Mason FX take pleasure in producing work of the highest artistic quality within budget and to your tailored specifications.

Primary Activity: SFX

www.gravitymedia.com
Unit 5 The Royston Centre
Ash Vale
GU12 5PQ
01252 519191

Hyperactive Broadcast, part of Gravity Media,  is one of the leading dry hire providers of Avid, Final Cut Pro, EVS and Pro Tools Systems for Feature Films and Television projects.

They have over 25 years’ experience in providing non-linear editing, equipment and workflow solutions all around the world. Having worked on over 250 major feature films and thousands of TV projects their engineers are widely recognised as leaders in their field for service and support on location. Whether they are providing a single edit station or a fully networked multi-format live edit workflow, they offer the highest levels of skill and support.

Over 150 Systems, Worldwide Delivery and Support, 24/7 Dedicated and ‘as required’ onsite support options, Highly Experience ACSR certified Engineers, System design and consultancy, Complete Avid stock inc Nitris DX, Unity, ISIS 5000, Airspeed, Interplay and Media Management, Complete EVS workflow solutions inc EVS XT[2], XT[3]’s, XFly and IP Director Networks, Final Cut Pro Systems with ActiveSAN/Active RAID, Pro Tools HDX Systems for Audio dubbing / Post, Only hire Company to offer the mighty Omneon ‘Media Grid’.

 

Primary Activity: Equipment Hire

Other Activities: Offline Editing, Post Production

www.moving-picture.com
127 Wardour Street
London
W1F 0NL
0207 434 3100

Moving Picture Company (MPC) are a creative studio who craft spectacular visual experiences in any space, on any screen.

MPC have been one of the global leaders in VFX for over 25 years and counting, with industry-leading facilities in London, Vancouver, Montréal, Los Angeles, New York, Amsterdam, Bangalore and Mexico City.

Renowned for adding visual wonder and creative expertise to the advertising, film and entertainment industries, some of our most famous projects include blockbuster movies such as Godzilla, the Harry Potter franchise, X-Men, Prometheus and Life of Pi, and famous advertising campaigns for brands such as Samsung, Coca Cola, Sony, Three Mobile and Channel 4.

MPC’s  broad range of skill-sets provide a multitude of creative solutions, including concept design, pre-viz, shoot supervision, 2D compositing, 3D/CG effects, animation, motion design, software development, digital & experiential production, colour grading for advertising and any combination of these services.

MPC is the sum of the parts: creative partners and a range of creative solutions harnessed through a dedication to collaboration. It all comes together in our enthusiastic and talented people, working every day to be a part of creating some of the best and most inspirational work in the industry.

Primary Activity: VFX

www.weacceptyou.com
Holden House 57 Rathbone Place
London
W1T 1JU
020 7734 3106

Primary Activity: VFX

www.onsight.co.uk
34- 35 Bedfordbury
London
WC2N 4DU
020 7637 0888

ONSIGHT is a pioneering facilities company, providing production and post-production services for film and television.

With over 27 years’​ experience, ONSIGHT’s award-winning team of creatives and technical people is renowned for 4K, HD, 3D, and VR services, who help design, execute and ultimately, deliver stunning content for any screen.

ONSIGHT’s objective is to develop a long-lasting relationship by providing comprehensive services to support the production team, offering an attentive and personal service with a flexible approach, which will fit both the creative and financial objectives of clients and their team. ONSIGHT’s committed team of specialist technical and creative staff provide exceptional support in using groundbreaking technology and extend their commitment and accountability for the digital delivery of any project.

While the award-winning post division, based in London, provides digital film, television, giant screen and editing solutions, all fully supported.

 

Primary Activity: Post Production

www.scanlinevfx.com
36 Soho Square
London
W1F 9JX
020 7979 5646

Scanline VFX is a global visual effects studio with locations in Munich, Stuttgart, Los Angeles, Vancouver, Montreal, Seoul, and London. The company is led by President and Senior Visual Effects Supervisor Stephan Trojanksy.

Scanline is particularly noted for its creation of natural phenomena such as fire, smoke and water on disaster epics such as San Andreas, Independence Day: Resurgence, and 2012. Recent  projects like Game of Thrones, Aquaman, The Meg, Ant‐Man and The Wasp, and Justice League also highlight Scanline’s character and creature work.

Founded in 1989 in Munich, Scanline established itself as an industry leader with the  development of its proprietary fluid effects software, Flowline. Scanline was the sole developer  of Flowline and in 2008, was the recipient of a Scientific and Technical Achievement Academy  Award® for the software.

In 2010, Scanline was nominated for an Academy Award® for Best Achievement in Visual Effects  for its work on Clint Eastwood’s Hereafter, for which it was the sole visual effects vendor. The film’s signature sequence was a recreation of the 2004 Indian Ocean tsunami, which TIME  Magazine called “the most exciting, expertly assembled flood scene in movie history.” In 2013,  Scanline received a BAFTA nomination for its work on Iron Man 3 as well as a second Academy Award® nomination in 2015, for Captain America: The Winter Soldier.

Scanline has two visual effects Emmy Awards and one HPA Award for Outstanding Visual Effects  to its credit, for its work on Season Four and Season Eight of Game of Thrones, along with a VES Award for Outstanding Supporting Visual Effects for Hereafter.

Scanline has recently completed work on Joker, Game of Thrones Season 8, MidwayTerminator: Dark Fate, Spider‐Man: Far From Home, Gemini Man, and Stranger Things Season 3. Current productions slated for release in 2020, and 2021, include Free Guy, Godzilla vs. KongBlack Widow, Eternals, and The Batman.

Primary Activity: VFX


The Editpool is an award-winning film marketing agency that supports the entertainment industry with the creation of trailers, TV & radio spots and promos for Theatrical and Home Entertainment releases.

Since 1988 a highly experienced team of editors, producers and writers have been creating dynamic, exciting teasers, trailers and ads for major studios and leading independents across the world.

After more than 25 years Editpool continue to deliver exceptional and ground-breaking creative for clients, including creation of trailers, TV & radio spots and promos for Theatrical and Home Entertainment releases.

Editpool’s dedicated team of editors, producers and graphic designers are committed to delivering captivating and bespoke creative, contributing to our esteemed global reputation.

Editpool became part of Deluxe in 2007 and has since continued to service some of the biggest film clients in the UK including Warner Bros, eONE, HBO, Lionsgate, Studio Canal and Netflix.

Primary Activity: Offline Editing

www.indepost.co.uk
2 Goldhawk Mews
London
W12 8PA
0208 746 2060

Established in 1992, The Independent Post Company was conceived as a conduit to the top talent in broadcast television post-production.

Founding partners Mykola Pawluk and Simon Frodsham correctly anticipated the boom in demand for freelance editing talent and the company’s steady growth bears witness to the consistently high service the company provides. IPC began operation in the summer of 1992, initially representing Mykola only. Once the formula and pattern was proven to be successful, the company began to attract other editing talent and it now represents over 130 top freelance editors. IPC exclusively represents editors and only those fully dedicated to producing broadcast television programmes.

As a consequence, IPC’s membership numbers the brightest editing talent in the UK.  Dedicated students of the credit roll will recognise the cream of the IPC roster, but the company is dedicated to finding and nurturing the editing stars of tomorrow as much as sustaining the legends of today. IPC’s history of providing a top service to both its clients and editors has ensured it is the first address for freelance editors looking for representation and the first port of call for anyone looking for topflight editing talent.

Primary Activity: Freelance Crew Agency

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