Founder and Creative Director Michael Illingworth reflects on the incredible growth of Vine FX on the award-winning visual effect company’s 18th birthday
With this October marking 18 years since the award-winning visual effects studio, Vine FX, opened its doors, Founder and Creative Director Michael Illingworth reminisces about the start of the company and it’s trajectory.
“What began as a small, personal venture has grown into a respected studio of over 80 team members, producing award-winning work while remaining independent and creatively led. Now we have a studio where quality of life and quality of work coexist, and that has become our superpower. We’ve proven that world-class work can come from anywhere – as long as you have the right team and mindset. Cambridge wasn’t a compromise, it’s one of the best decisions we ever made”
Michael Illingworth, Founder and Creative Director at Vine FX
After over a decade of rewarding work at The Mill and Cinesite, Michael launched Vine FX in 2007, driven by a vision of creative independence and a commitment to high-quality visual storytelling.
“From day one… we focused on building a flat-structured, open-plan culture where everyone’s input mattered, no matter their title or experience level… Our key leadership team is filled with team members who have been with the studio from the start, as internal growth is one of our company’s cornerstones. This is a testament to the culture we’ve built, and each individual in this journey has played a role in maintaining our foundational values.”
Looking back, Michael recounts the industry-wide challenges of the last 5 years, including a global pandemic, economic shifts, rapid technological development, and a lull in production. Rather than counting their losses, Vine FX learned how to adapt, capitalising on their longstanding use of remote working platforms such as Teradici, using personal archives and unconventional methods for asset creation, and leaning into creative solutions by giving their team room to explore.
Michael points to the Cambridge-based company’s work on The Serpent, their creation of a photoreal cavern in The Lazarus Project, and their building of procedural underwater structures for The Rig as testaments to Vine’s commitment to adaptability and creativity.
“We’re driven by a desire to make cool work, to explore bold ideas, and experiment
with interesting new tools. One of the things I value most about our team is their
passion and genuine curiosity to push boundaries, and to find unexpected solutions
to creative challenges. That sense of playful experimentation has led to some of our
most exciting solutions. And while our budgets haven’t always matched our
ambitions, it’s our team’s ingenuity that consistently bridges that gap”
Looking to the future, Michael does not see radical reinvention for Vine FX, but rather thoughtful evolution.
“Even after 18 years, I still think of us as a work in progress. That mindset keeps us
curious. It keeps us kind. And it keeps us relevant. But most importantly, we want to lead by example. We want to be a studio that’s not just technically excellent, but also human-first. That means giving people space to grow, respecting their time, paying them fairly, and helping them stay inspired.”
